Sheffield Sellers on Etsy team leader and millinery expert Sophie, of Imogen’s Imagination, was recently asked to take part in a new Made in Sheffield Exhibition at Sheffield’s Millennium Gallery. This is her story of how her submission was created….
To be invited as one of the makers to take part in Made in Sheffield is, quite frankly, a massive honour. The exhibition features work from over 150 creative businesses and artists as part of the city-wide initiative, The Year of Making. I genuinely never ever imagined I would ever be involved in something quite so prestigious!
The invitation to take part was originally offered during Open Studios at Exchange Place, back in November last year. Naturally, I decided that I wanted to make something special for the six month exhibition. I had a little think and decided that my inspiration for the piece should be, well, making! I also wanted to celebrate collaboration, traditional skills and modern technology. Not too much to cram into my brief for myself then!
One of the most recent technologies to be used in millinery is laser cutting. I’d seen some fabulous geometric, flora and fauna based designs via my daily Pinterest forays, but they just didn’t feel right with my “traditional” brief. Then I spotted some shoes that were spot on….well you don’t get more traditional than a pair of brogues! And then followed some serious shoe shopping on Pinterest, all in the name of research naturally.
So design inspiration chosen, materials chosen, I just had to think about the technicalities of a practice that I knew nothing about (I really wasn’t making life easy for myself with this idea!). My next port of call was to see our resident “laserist” at Exchange Place Studios, the brilliant Giles Grover of Small Machines.
Giles normally makes toys, but not just any old toys. Cool toys. Toys that come in kit form that you can build yourself. Toys that work by hydraulics, or shoot stuff…I mean who doesn’t think a ballista a is cool?
Giles and myself had a long chat in January this year about the capabilities of his kit, the limitations of my material of choice and ironed out quite a few potential hazards. We agreed we would come back together once the invitation was formalised. Then on the second day of the month long The Hat Stand pop-up shop the email landed…as did the deadline! Suddenly, a project which had been on the back burner for 4 months needed to be completed in three weeks! Cue action stations.
This was quite time consuming as I was learning the programme at the same time, but I was very pleased with the results
Once the pattern was in digital form, this was transferred to the laser cutter’s software….and our first trial was under way!
Due to my inexperience with leather, I chose a shape that I knew I could block confidently and that would offer some design “wiggle-space” if things didn’t go quite according to plan. I didn’t have time for a trial run so a Plans A-D were definitely required. But I did block a couple of spares, just in case things went really, really wrong!
Firstly, I need to get two layers of foundation fabric, buckram, blocked. This would give my hat the strength to survive being pulled around when I stretched the leather over it.
I then sewed a wire into the edge of the hat to add further strength and prevent it stretching during the process of attaching the leather.
After that, a layer of ice wool was sewn over the top. The leather I used was quite thin, almost gloving leather, so without this underlay the texture of the buckram would show through, spoiling the smoothness of the finished hat.
I also added a bias strip of tarlatan just inside the edge of the hat. This would allow me an anchor point to sew the leather into. I couldn’t stitch through the buckram, ice wool and leather without potentially doing myself, or the hat, an injury!
Finally, I could start pinned my proposed decoration to the skeleton of the hat to gauge the proportions and positioning of my paper templates.
The next step was to attach the leather to the hat, but as with anything millinery related, there was more to this seemingly simple task than meets the eye. Firstly, I had to block the leather over my hat block to stretch and shape it as much as possible before it was attached to the hat. Then, once it was fully dry, I pinned it in place over the buckram skeleton. Three rounds of pinning later, with each session easing out more and more creases at the edge, I was ready to start sewing it in place…again, easing out those pesky creases.
Now for the most daunting part of the whole process, actually laser cutting the leather. I don’t mind admitting that this was possibly the scariest bit! I was now completely reliant on Giles’ expertise, experience and equipment to make this hat happen. No pressure Giles!
I was worrying for nothing though. Thanks to all the prep work we had done, the process was pretty straight forward and surprisingly quick. There’s no denying it wasn’t a bit stinky though!!!
But I was now on my own again now with the project.
Kathryn (whom I mentioned earlier) very kindly gifted me a scrap of contrast colour leather to use in my design.
I now needed to create a series of leather sandwiches formed of my laser cut leather and Kathryn’s kind donation. One of the panels also had wire inserted in to the layers.
As you can see, things very quickly went from super hi-tech, to super lo-tech!
To give my brogue decoration the classic zigzag finish it required, I used pinking shears. This allowed me to cut crisply through the bonded leather edges.
I created decorative panels (no spoilers yet!) along with brogue straps. I wanted to create an element of height in the design of hat, along with a nod to the traditional laces of a brogue shoe, as well as the traditional loops and curls you may find in the trimming of a hat.
Then the final jobs were to assemble the decoration, add the elastic that would allow the hat to be worn, stitch in a suitable lining (I chose coordinating taffeta for this) and lastly cover all the joins with a further laser cut disc of leather. Whenever I make a hat, reaching these final steps is the best part…it means it’s nearly ready for it’s new home.
So finally, here it is.
After seven months in the planning and making, my brogue inspired leather hat featuring laser cut leather and incorporating the key themes, thanks to which I thrived over the last 10 years: Making, Collaboration, Traditional Skills and Modern Technology.
A huge thank you to everyone who has helped me make this hat. Not least to the amazing Giles Grover of Small Machines for making this madcap idea, reality. It wouldn’t have been possible without his assistance or generosity with his time, skills and kit. I am indebted to you for your help. Thank you!
Ps. You’ll also be able to find more of Giles’ work at the exhibition too!
The Made in Sheffield exhibition opened at Millennium Gallery in July where it will run until until 8th January 2017. Millennium Gallery, Arundel Gate, Sheffield, S1 2PP.